Artifacts catalogue index
Page 17 of 19. Each entry links to its catalogue description and sources.
SMITH(1890) p157 COPPER ECCLESIASTICAL CROSS
This file is from the Mechanical Curator collection , a set of over 1 million images scanned from out-of-copyright books · 1890
SMITH(1890) p157 COPPER ECCLESIASTICAL CROSS. Catalogued on Wikimedia Commons under Processional crosses of Ethiopia. Photograph credited to Unknown photographer.
Solidus of Constantine I
Baltimore, The Walters Art Museum · 336-37 CE
Solidus of Constantine I. 336-37 CE; gold; İzmit (Nicomedia), Türkiye.
Solidus of Valens
Baltimore, The Walters Art Museum · 364-67 CE
Solidus of Valens. 364-67 CE; gold; İzmit (Nicomedia), Türkiye.
St. George and the Dragon, Lalibela, Ethiopia (3231393251)
St. George and the Dragon, Lalibela, Ethiopia Uploaded by Elitre
St. George and the Dragon, Lalibela, Ethiopia (3231393251). Catalogued on Wikimedia Commons under Icons of Ethiopia.
St. George Slaying The Dragon (2380584689)
Church of Narga Selassie, Dek Island, Lake Tana, Ethiopia. Late 18th century. St. George is Ethiopia's patron saint. The woman in the tree on the right symbolizes Ethiopia, and is always present in Ethiopian Orthodox paintings of this scene.
St. George Slaying the Dragon, Church of Debre Sina, Lalibela, Ethiopia (3234094731)
St. George is Ethiopia's patron saint. The person in the tree directly in front of and above the horse's head is said to personify Ethiopia. As usual, the horse is looking very perky. I saw variations on this image in almost every church I visited in Ethiopia.
St. Georges Dragon (2261954346)
I regret I didn't capture more of St. George and what must surely have been a splendid horse. However, I hope this dragon, surely the most elaborately rendered of any I saw in Ethiopia, will make up for the disappointment.
Stamp with Identity Mark of HANAT
National Museum of Ethiopia · second half of the 1st century BCE
Stamp with Identity Mark of HANAT. second half of the 1st century BCE; bronze; Yaha (Ethiopia).
Stamped Communion Bread
The Walters Art Museum · 1951
Stamped Communion Bread. 1951; bread; Egypt.
Statua femminile seduta con iscrizione in lingua sud-arabica, V secolo ac., da addi gelamo nel tigrai 01
Archaeological collections of the National Museum of Ethiopia
Statua femminile seduta con iscrizione in lingua sud-arabica, V secolo ac., da addi gelamo nel tigrai 03
Wikimedia Commons
Archaeological collections of the National Museum of Ethiopia The file page records 2018-11-06 10:53:18 as the date of the photograph, not of the object.
Statue et socle en calcaire (J. E., n° 3) — p. c. 19
HabeshaHistory printed corpus
Statue et socle en calcaire (J. E., n° 3)
Statuette à ibex, période axoumite, retrouvée en actuelle Érythrée - Musée national d'Addis Abeba, Éthiopie
Wikimedia Commons
Statuette à ibex, période axoumite, retrouvée en actuelle Érythrée - Musée national d'Addis Abeba, Éthiopie
Statuette, période axoumite, retrouvée près d'Asmara, Érythrée - Musée national d'Addis Abeba, Éthiopie
Wikimedia Commons
Statuette, période axoumite, retrouvée près d'Asmara, Érythrée - Musée national d'Addis Abeba, Éthiopie
Stela with a Seated Woman
Baltimore, The Walters Art Museum · 2nd-1st century BCE
Stela with a Seated Woman. 2nd-1st century BCE; calcite-alabaster; Arabian Peninsula.
Stuttgart, Linden-Museum Krar (äthiopische Leier) aus Holz, Rohhaut, Darmsaiten, Pflanzenfasern; Inv. Nr. F 55.878
Wikimedia Commons
Stuttgart, Linden-Museum Krar (äthiopische Leier) aus Holz, Rohhaut, Darmsaiten, Pflanzenfasern; Inv. Nr. F 55.878
Symbol of Aksum (c. 4th century)
Wikimedia Commons · 4th century
Symbol of Aksum on coins of the beginning of the fourth century A.D. The symbol consists of a disc, symbolizing the empire (of Aksum) and a crescent symbolizing the state. Together the symbol would mean: The State of Aksum.
Tabot, or altar slab, usually of wood or occasionally stone, found in every Ethiopian Orthodox church
Ethiopia Engraved / Link Ethiopia · 19th-century illustration
An engraving of an Ethiopian Orthodox Tabot, or altar slab, featuring intricate geometric borders and a central cross.
Tambour de cérémonie dans une église de Lalibela (Ethiopie)
Wikimedia Commons
Tambour de cérémonie dans une église de Lalibela (Ethiopie) The file page records 2014-01-16 08:00:09 as the date of the photograph, not of the object.
Tambour de cérémonie dans une église de Lalibela (Ethiopie)
Wikimedia Commons
Tambour de cérémonie dans une église de Lalibela (Ethiopie) The file page records 2014-01-16 08:00:18 as the date of the photograph, not of the object.
Tätär Gur, dépôt central: parures
HabeshaHistory printed corpus
Tätär Gur, dépôt central: parures
Tätär Gur: parures en argent ou en métal cuivreux
HabeshaHistory printed corpus
Tätär Gur: parures en argent ou en métal cuivreux
Ten Standing Male Figures Playing a Game
The Walters Art Museum · 20th century
Ten Standing Male Figures Playing a Game. 20th century; paint on parchment; Ethiopia.
Textile Panel with Busts of Kings in Roundels and Horsemen and Dancers in Rectangles
The Walters Art Museum · 700-900 CE
Textile Panel with Busts of Kings in Roundels and Horsemen and Dancers in Rectangles. 700-900 CE; wool and linen; Egypt.
Textile Strip with a Warrior Battling a Dragon, an Angel, and a Horseman Hunting a Lion
The Walters Art Museum · 7th century CE
Textile Strip with a Warrior Battling a Dragon, an Angel, and a Horseman Hunting a Lion. 7th century CE; wool; Egypt.
The Ancient Kings crown
Wikimedia Commons
The Ancient Kings crown The file page records 2019-02-02 14:54:47 as the date of the photograph, not of the object.
The Ancient kings thrown
Wikimedia Commons
The Ancient Kings crown The file page records 2019-02-02 14:54:04 as the date of the photograph, not of the object.
The Attack
Detail of a stunningly beautiful bronze oil lamp depicting a dog hunting an ibex. First century BCE or earlier, Matara (now in Eritrea). In the collection of the National Museum, Addis Ababa, Ethiopia.
The coarse-wares from Diodorus Island
HabeshaHistory printed corpus
The coarse-wares from Diodorus Island
The Collection - Treasury Of The Chapel Of The Tablet
Having just posted individual photos of each of these crowns, together with close-ups showing details of most of them, why am I bringing them all out again for a curtain call?
The Cross of Emperor Tewodros II
The Cross of Emperor Tewodros II
The Cross of Emperor Tewodros II colour
The Cross of Emperor Tewodros II colour
The Crucifixion
The Walters Art Museum · ca. 1530-35
The Crucifixion. ca. 1530-35; painted enamel on copper; France.
The Devil And The Dragon (2866242600)
The Devil, the dragon and the lower halves of St. George and his horse. The canopy over this painting made capturing the entire image problematic, so I settled for photographing what I knew would turn out fairly well.
The End of the Beginning
Smithsonian Institution, National Museum of African Art · 1972–73
The End of the Beginning. 1972–73; oil on canvas.
The first circle of stelae at Tiya
In situ, Tiya · 11th–12th century
The first circle of stelae at Tiya. Recorded in situ at Tiya. The source states the date as 11th–12th century. Photographed by Sailko.
The Gudit stelae field at Aksum
In situ, Aksum
The Gudit stelae field at Aksum. Recorded in situ at Aksum. Photographed by O.Mustafin.
The Last Supper, Wall Painting
Virginia Museum of Fine Arts · 18th century
The Last Supper, Wall Painting. 18th century; tempera on cotton or linen, mounted on panel; Ethiopia.
The main group of thrones, seen from the east
HabeshaHistory printed corpus
The main group of thrones, seen from the east Fig. 40. A throne to the south-east of the main group, retaining its upright monoliths, photographed in 1906 by the Deutsche Aksum-Expedition (Littmann II, fig. 89, print supplied by Staatsbibliothek zu Berlin)
The original Sebastopol mortar in Wello.
Wikimedia Commons
The original Sebastopol mortar in Wello.
The relief-marked ceiling of the Adi Alauti cave, Qohaito
In situ, Adi Alauti cave, Qohaito · c. 2500 BC (25th century BC)
The relief-marked ceiling of the Adi Alauti cave, Qohaito. Recorded in situ at Adi Alauti cave, Qohaito. The source states the date as c. 2500 BC (25th century BC). Photographed by Sailko.
The same in modern characters, so far as can be determined
https://en.wikisource.org/wiki/Page:A_voyage_to_Abyssinia_(Salt).djvu/328 · 1814
The same in modern characters, so far as can be determined. Catalogued on Wikimedia Commons under Ethiopic-script inscriptions. The file description records: The same in modern characters, so far as can be determined. Photograph credited to Henry Salt.
The south face of Stela 3, showing both its impressive overall symmetry and the variation in detail
HabeshaHistory printed corpus
The south face of Stela 3, showing both its impressive overall symmetry and the variation in detail
The story of the Queen of Sheba
17-19 century?
A painting narrating the Queen of Sheba story in registers. The source caption describes the serpent episode, the rise of the queen’s father, and her encounter with the merchant from Jerusalem.
The third group of stelae at Tiya
In situ, Tiya · 11th–12th century
The third group of stelae at Tiya. Recorded in situ at Tiya. The source states the date as 11th–12th century. Photographed by Sailko.
The Virgin Mary and Jesus, Church of Debre Sina, Lalibela, Ethiopia (3237181576)
This is one corner of a larger canvas that depicts a number of biblical scenes that are important to the Ethiopian Christian Orthodox Church. The date and provenance of painting are unknown to me.
The Virgin Mary With Jesus, Yeha, Ethiopia
In his Footprint East Africa Handbook, 7th Edition , Michael Hodd identifies the building housing these paintings as an " Iqa-bet , a two-story stone storage building, which contains religious artifacts."
Throne of emperor Haile Selassie - Addis Abeba national Museum
Wikimedia Commons
Throne of emperor Haile Selassie - Addis Abeba national Museum
