What the record shows
The central panel of this triptych features a version of Mary and the infant Christ based on a famous icon from the Roman basilica of Santa Maria Maggiore that was believed to have been painted by St. Luke the Evangelist. Prints of this painting entered Ethiopia around the year 1600 with Jesuit missionaries. The widespread circulation of these prints led to the adoption of the Santa Maria Maggiore icon as a prototype for pictures of Mary and Christ and transformed Ethiopia's traditional Marian imagery. In paintings based on this icon, the Christ Child typically sits on the Virgin's left arm while holding a book in his left hand. Mary, crossing her arms in front of Christ, holds a cloth in her left hand and extends the elongated fingers of her right hand toward the ground. As with the original Roman painting, the hood of Mary's cloak often bears a cross. This triptych is a fine example of
- Date
- early 17 th century
- Object type
- cross
- Recorded place
- Ethiopia
- Holding
- The Walters Art Museum