‹ Catalogue sequence 12r — Motherhood: Madonna and child — EMML (HMML) 4803, fol. 12r — source only 17r — Annunciation: St Gabriel appears to Mary sewing or spinning — EMML (HMML) 4803, fol. 17r — source only 45v — Crucifixion: Mary at the cross — EMML (HMML) 4803, fol. 45v — source only 46r — Crucifixion: Mary with the body of Jesus — EMML (HMML) 4803, fol. 46r — source only ›
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12r Motherhood: Madonna and child — EMML (HMML) 4803, fol. 12r Source-only catalogue record Use plus and minus to zoom, arrow keys to move the detail focus, R to rotate, zero to reset, and Page Up or Page Down to change catalogue entries.
Holding institution Hill Museum and Manuscript Library
Shelfmark 4803
Folio 12r
Catalogue date 18th
Catalogue source Princeton Ethiopian, Eritrean, and Egyptian Miracles of Mary (PEMM) project
Source record paintings.csv, Painting ID 1880 (1 episode row) Image status Scene identification transcribed from the scene-summary field of the PEMM painting record.
Open the cited source ↗ ‹ Catalogue sequence f. 20v — Moses writing the Law — Or 481, f. 20v f. 34v — Aaron with the staff which budded — Or 481, f. 34v f. 45v — Aaron — Or 481, f. 45v f. 60v — Moses — Or 481, f. 60v f. 73v — Joshua and the Angel — Or 481, f. 73v f. 82v — Judah (sic) and Caleb — Or 481, f. 82v f. 91v — Ruth, Naomi and Boaz — Or 481, f. 91v f. 93v — Eusebius and Carpianus — Or 481, f. 93v f. 99r — The Annunciation of Zacharia — Or 481, f. 99r f. 99v — Anna and Joachim giving over Mary to the service of the Temple, and the Angel bringing food to Mary in the Temple — Or 481, f. 99v f. 100r — The Annunciation of the blessed Virgin Mary — Or 481, f. 100r f. 100v — The Nativity — Or 481, f. 100v f. 101r — The three Magi — Or 481, f. 101r f. 101v — The Baptism of Jesus — Or 481, f. 101v f. 102r — The Massacre of the Innocents — Or 481, f. 102r f. 102v — The Transfiguration — Or 481, f. 102v f. 103r — The Entry into Jerusalem — Or 481, f. 103r f. 103v — Zacchaeus — Or 481, f. 103v f. 104r — Washing of the Disciples’ feet — Or 481, f. 104r f. 104v — St. Peter’s sorrow when the rock crowed — Or 481, f. 104v f. 105v — Jesus Christ on the Cross, committing Mary to the care of St. John — Or 481, f. 105v f. 106r — The Crucifixion — Or 481, f. 106r f. 106v — The Descent from the Cross — Or 481, f. 106v f. 107r — The Women mourning over the Body of Christ — Or 481, f. 107r f. 107v — The Burial of the Jesus — Or 481, f. 107v f. 108r — The Woman at the Tomb and the Angel — Or 481, f. 108r f. 108v — The Harrying of Hell — Or 481, f. 108v f. 109r — Jesus appearing to Mary Magdalene — Or 481, f. 109r f. 109v — The Ascension — Or 481, f. 109v f. 110r — God the Father, “the Ancient of days” and the Four Beasts — Or 481, f. 110r f. 110v — God the Father, surrounded by the Cherubim and adoring Angels — Or 481, f. 110v f. 111r — St. Matthew — Or 481, f. 111r f. 111v — St. Mathew and Mark, writing their Gospels — Or 481, f. 111v f. 125v — St. Matthew and Mark — Or 481, f. 125v f. 134v — St. Luke and John — Or 481, f. 134v f. 156v — The twelve Apostles — Or 481, f. 156v ›
Entry 1 of 36 · 36 with reviewed images. This is a catalogue sequence, not a complete digitization.
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f. 20v Moses writing the Law Reviewed first-party image Use plus and minus to zoom, arrow keys to move the detail focus, R to rotate, zero to reset, and Page Up or Page Down to change catalogue entries.
Holding institution British Library
Shelfmark Or 481
Folio f. 20v
Catalogue date Late 17th century
Catalogue source British Library Archives and Manuscripts Catalogue
Source record British Library, Or 481, f. 20v Image evidence
Caption Moses writing the Law
Credit British Library, Or 481, f. 20v. Digitised by The British Library. Rights The Ethiopian manuscripts published in digitised format by the British Library are to the best of our knowledge not in copyright under Ethiopian law. However the British Library recognises broader interests in the cultural heritage which the Ethiopian manuscripts represent. The manuscripts included are often of a religious nature, and the Library has taken considerable care not to distort or alter the underlying material. We ask users also to show appropriate respect in reusing the digital images of the Ethiopian manuscripts, which should not be altered or reused in ways that might be derogatory or offensive to the Ethiopian communities for whom they are of special cultural importance.
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